Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Ignacio Pinazo 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
89593 Alegorea sobre la vendimia Ignacio Pinazo Alegorea sobre la vendimia 1900(1900) Medium oil on canvas Dimensions 55 x 78 cm (21.7 x 30.7 in) cyf
85468 Alegoria sobre la vendimia Ignacio Pinazo Alegoria sobre la vendimia Date c. 1900(1900) Medium Oil on canvas Dimensions 55 x 78 cm (21.7 x 30.7 in) cjr
23130 At the Edge of the Water Basin (nn02) Ignacio Pinazo At the Edge of the Water Basin (nn02) n.d Oil on canvas 7 3/4 x 16 1/8'' Cason del Buen Retiro.Museo del Prado,Madrid
83460 El invierno Ignacio Pinazo El invierno Date 1885(1885) Medium Oil on canvas Dimensions 234 x 129 cm (92.1 x 50.8 in) cjr
85472 Emparrado Ignacio Pinazo Emparrado Date 1912(1912) Medium Oil on canvas Dimensions 50 x 65.3 cm (19.7 x 25.7 in) cjr
89594 Emparrado Ignacio Pinazo Emparrado 1912(1912) Medium oil on canvas Dimensions 50 x 65.3 cm (19.7 x 25.7 in) cyf
81704 Enamorados Ignacio Pinazo Enamorados Date 1878(1878) Medium Oil on canvas Dimensions 29 x 35 cm (11.4 x 13.8 in) cjr
85643 Enamorados Ignacio Pinazo Enamorados 1878(1878) Medium Oil on canvas Dimensions 29 x 35 cm (11.4 x 13.8 in) cyf
87084 Figura femenina sentada Ignacio Pinazo Figura femenina sentada Date 1880(1880) Medium Oil on canvas Dimensions 19 x 15.3 cm (7.5 x 6 in) cjr
91764 Figura femenina sentada Ignacio Pinazo Figura femenina sentada 1880(1880) Medium oil on canvas Dimensions 19 X 15.3 cm (7.5 X 6 in) cyf
87098 Interior de alquerea valenciana Ignacio Pinazo Interior de alquerea valenciana 1899(1899) Medium Oil on canvas Dimensions 44 x 62 cm (17.3 x 24.4 in) cyf
81958 Juegos icarios Ignacio Pinazo Juegos icarios Medium Oil on canvas Dimensions 106.7 x 81.6 cm (42 x 32.1 in) cjr
91395 La cruz del Molino en Godella Ignacio Pinazo La cruz del Molino en Godella 1916(1916) Medium oil on canvas Dimensions 44 x 62 cm (17.3 x 24.4 in) cyf
28796 Learning by Heart Ignacio Pinazo Learning by Heart mk61 1898 Oil on canvas 107x107cm
96649 Portrait of Teresa Martinez Ignacio Pinazo Portrait of Teresa Martinez 1872(1872) Medium oil on canvas Dimensions 63.2 X 48.5 cm (24.9 X 19.1 in) cjr
85566 Retrato de Dona Teresa Martenez Ignacio Pinazo Retrato de Dona Teresa Martenez 1872(1872) Medium Oil on canvas Dimensions 63.2 x 48.5 cm (24.9 x 19.1 in) cyf
81444 Retrato de Dona Teresa Martinez, esposa del pintor Ignacio Pinazo Retrato de Dona Teresa Martinez, esposa del pintor Date 1872(1872) Medium Oil on canvas Dimensions 63.2 x 48.5 cm (24.9 x 19.1 in) cjr
77872 Retrato del Conde Guaki Ignacio Pinazo Retrato del Conde Guaki 1903(1903) Oil on canvas 110 ?? 87 cm (43.3 ?? 34.3 in) cjr
81134 Retrato del Conde Guaki Ignacio Pinazo Retrato del Conde Guaki 1903(1903) Medium Oil on canvas Dimensions 110 x 87 cm (43.3 x 34.3 in) cyf
83890 Self-portrait Ignacio Pinazo Self-portrait Date 1889(1889) Medium Oil on canvas Dimensions 66.3 x 49 cm (26.1 x 19.3 in) cjr
87744 Self-portrait Ignacio Pinazo Self-portrait 1889(1889) Medium Oil on canvas Dimensions 66.3 x 49 cm (26.1 x 19.3 in) cyf
86552 Senora de Alvarez Ignacio Pinazo Senora de Alvarez 1912(1912) Medium Oil on canvas Dimensions 75.3 x 100.5 cm (29.6 x 39.6 in) cyf
71916 Template:Es Ignacio Pinazo Template:Es Oil on canvas 100.5 x 71.5 cm
54420 The Pond Ignacio Pinazo The Pond mk235 19.5x41cm Oil on canvas

Ignacio Pinazo
1849-1916 He came from a poor family and in his youth worked as a silversmith, gilder, tile painter and hatter. This experience encouraged an independent spirit unencumbered by academic doctrine. He did, however, attend the Escuela de Bellas Artes in Valencia while working as a hatter, studying colour and composition, life drawing and drawing from the Antique (1868-9). In 1870 he started to devote himself wholly to painting. His early works include several portraits. A series of stays in Italy were important for Pinazo's development. The first of these took place in 1873, when he spent seven months visiting Rome, Naples and Venice and became familiar with the work of Mariano Jos? Bernardo Fortuny y Marsal, whose influence can be seen in Pinazo's small-scale landscapes on panel . Soon, however, his work came to resemble that of the impressionistic Italian painters, the Macchiaioli, as in Pinazo's brightly coloured Wheat-field. His second stay in Italy began in 1877 with an award for his large history painting, Landing of Francis I of France in Valencia
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